MY EQUIPMENT
I often get asked what camera and travel gear I use, so I’ve put together a list of my go-to equipment that I personally rely on and confidently recommend. Everything here has been tested on my own trips and helps me capture high-quality photos while staying efficient on the road. Whether you’re just starting out or upgrading your setup, these are tools I trust to get the job done.
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CAMERAS AND ACCESSORIES
SONY A7RIV
I’ve been using the Sony A7 series of cameras as my primary system since 2016, and they’ve consistently delivered exactly what I need in the field. I’ve found them to offer excellent color accuracy, strong durability, and a relatively discreet profile—making them ideal for both travel and everyday shooting.
LEXAR MEMORY CARDS
I’ve been using Lexar memory cards throughout my entire career, typically relying on the 64GB versions. They’re rugged, offer a strong balance between price and performance, and feature fast transfer speeds that keep my workflow efficient. When properly maintained, they’re reliable enough for even the most important projects.
LLANO BATTERIES
I’ve recently switched to these batteries with a built-in USB-C charging port. Not only does this help reduce the amount of gear I need to carry, but it also allows me to quickly recharge batteries on the go using the same power bank I use for my phone. In my experience, they perform on par with the standard Sony batteries, making them an easy addition to my kit.
LENSES AND ACCESSORIES
VOIGHTLANDER 15MM
I primarily use a wide range of vintage lenses most of which are no longer in production, with the exception of the Voigtländer 15mm. It’s exceptionally sharp, renders beautiful color, and is very well built. It’s one of the few modern lenses in my kit, and I’ve found it to be both reliable and consistent in a wide range of shooting conditions, making it an easy choice when I need something dependable.
FOTODIOX ADAPTER
This adapter allows me to use Leica M-mount lenses on my Sony E-mount cameras, making it easy to incorporate a wide range of vintage glass into my workflow. What sets this particular adapter apart is its built-in extension mechanism, which helps overcome the close-focusing limitations common to many Leica lenses, adding a level of versatility that would otherwise be missing.
BAMBU A1
At first glance, this might not seem like a typical lens or camera accessory. I’m including it because I use it constantly to print everything from lens adapters and caps to fully functional cameras. I built my first 3D printer from threaded rod and salvaged printer parts, and since then, the technology has come a long way. Bambu has made it incredibly easy for anyone to get started and be successful right away!
TRAVEL ACCESSORIES
PELICAN 1510
For longer project trips, I always carry my equipment in the Pelican 1510 case. It’s nearly indestructible and sized to fit in most airplane overhead compartments, making it ideal for travel. I prefer using the padded divider system, which allows me to customize the layout depending on each project’s gear requirements. It’s also relatively inexpensive considering the level of protection it provides essentially making it cheap insurance for valuable equipment.
WANDRD PRVKE 31L
For shorter trips where I’m still traveling with a substantial amount of equipment, I’ve really come to rely on the WANDRD PRVKE bag. It’s exceptionally well made and offers all the organization and protection I need. It’s also comfortable enough to carry all day and holds up well against the unpredictability of the elements.
NEOPRENE LENS POUCH
These lens pouches not only provide cushioning during travel, but also help keep dust and moisture off my lenses. Made from the same material used in diving suits, they’ve proven to be indispensable for protecting my equipment in virtually any environment I’m working in. I keep several in different sizes to accommodate a range of lenses and setups.
ANKER CHARGERS
Over the past five years, I’ve transitioned to using USB-C as the standard for everything I travel with. This simplifies my setup and maximizes flexibility by eliminating the need to carry separate cables for each device. Whether I’m charging my MacBook, headphones, or camera batteries, these chargers have proven to be fast, lightweight, durable, and highly portable solutions for my workflow.
DOMKE WRAP
I use Domke wraps to protect my cameras while traveling. They easily adapt to whatever equipment I’m carrying and are lightweight, making them a practical solution for a wide range of situations. They can also be used to protect non-camera gear, which adds to their overall versatility. I keep both the 15-inch and 22-inch versions on hand depending on the setup.
FILM STOCKS
KODAK COLOR PLUS
My choice for C41 film is probably a bit controversial. There’s a lot of love for Portra, and while I understand its appeal with softer tones, lower contrast, and a more neutral color palette, I tend to prefer the punchier look that ColorPlus produces. Its stronger contrast and more vibrant colors align better with how I like my images to feel.
KODAK TRI-X
Tri-X has been my favorite black-and-white film stock since I first saw Bill Ray’s work with the Hell's Angels. Like ColorPlus, I tend to gravitate toward more contrast-heavy films, and Tri-X delivers exactly that. I especially appreciate its distinctive grain structure and the way its tonal response curve adds depth and character to an image.
VINTAGE OR DISCONTINUED EQUIPMENT
There are far too many cameras and lenses I enjoy using to list them all here, but below are the ones I reach for most often in my work. Because vintage lenses are so easy to adapt to modern mirrorless systems, these setups give me the flexibility to pack equipment that can serve multiple purposes depending on the needs of each assignment.
CONTAX G1 AND LENSES
I’ve been using my “Green Label” G1 for the past 15 years and have come to truly love the platform. The lenses are exceptionally sharp with vibrant color rendering, making it a standout system even by today’s standards. There’s often discussion around reliability, and while these cameras are no longer in production and parts are becoming increasingly scarce, I haven’t found this to be an issue when they’re properly cared for.
This is by far the best lens adapter I've found with somewhat smooth focusing and fairly durable.
TOPCON RE SUPER AND LENSES
Topcon is one of those brands that never seems to get the attention it deserves. Known for its precision engineering and background in professional optics, that expertise really shows in the lenses. They’re exceptionally well made, with excellent sharpness, contrast, and color rendering that still holds up today. The RE Super is an absolute joy to shoot, and paired with these lenses, it delivers results that easily stand alongside more well-known systems.
The Exacta Mount can be a little tricky for find a good adapter for. This one fits well, and is a great price.
KONICA T3 AND LENSES
Another relatively unknown system is the Konica T3 and its lenses. Konica was one of the oldest lens manufacturers in Japan, with roots dating back to 1931, and that legacy is reflected in the quality of their glass. The lenses are exceptionally well made, offering sharp results with a slightly warmer, more natural rendering and smooth contrast that gives images a distinct sense of depth. They strike a nice balance between technical performance and character, which is part of what makes them so enjoyable to use. Despite this, they remain some of the most undervalued options on the market today. Notable standouts include the 50mm f/1.7, the compact 40mm pancake, and the 35mm f/2.8.